Binaca Geetmala 1975 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1975.
Annual List of Binaca Geetmala 1975
|32||Sun Bal Brahamchari Main Hoon Kanya Kunwaari||Sanyasi (1975)||Lata Mangeshkar||Shankar-Jaikishan||Verma Malik||Hema Malini|
|31||Tere Chehre Me Wo Jaadu hai||Dharmatma (1975)||Kishore Kumar||Kalyanji-Anandji||Indeevar||Feroz Khan|
|30||Koi Haseena Jab Rooth Jaati Hai To||Sholay (1975)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Dharmendra|
|29||Ruk Jaana O Jaana Hum Se Do Baaten||Warrant (1975)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Dev Anand|
|28||Kara Le Saaf Kara Le||Qaid (1975)||Usha Mangeshkar||Nitin Mangeshkar||Maya Govind||Mehmood|
|27||Yaara O Yaara Ishq Ne Maara||Benaam (1974)||Narendra Chanchal||Rahul Dev Burman||Majrooh Sultanpuri||Narendra Chanchal|
|Lata Mangeshkar||Amitabh Bachchan|
|26||Main Jat Yamla Pagla Deewana||Pratiggya (1975)||Mohammed Rafi||Laxmikant-Pyarelal||Anand Bakshi||Dharmendra|
|25||Chal Sanyasi Mandir Me Tera Chimta Meri Choodiyaan||Sanyasi (1975)||Lata Mangeshkar||Shankar-Jaikishan||Vishveshvar Sharma||Hema Malini|
|24||Mehbooba Mehbooba||Sholay (1975)||Rahul Dev Burman||Rahul Dev Burman||Anand Bakshi||Jalal Agha|
|23||Fauji Gaya Jab Gaaon Me||Aakraman (1975)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Sanjev Kumar|
|22||Dil Kya Kare Jab Kisi Se Kisi Ko Pyar Ho Jaaye||Julie (1975)||Kishore Kumar||Rajesh Roshan||Anand Bakshi||Vikram|
|21||Aayegii Jaroori Chitthi Mere Naam Ki||Dulhan (1974)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Hema Malini|
|20||Jeeja Ji Jeeja Ji Meri Didi Hai Anaadi||Ponga Pandit (1975)||Kishore Kumar||Laxmikant-Pyarelal||Rajendra Krishan||Danny Dengzongpa|
|Asha Bhosle||Neeta Mehta|
|Usha Mangeshkar||Randhir Kapoor|
|19||My Heart Is Beating Kept On Repeating||Julie (1975)||Preeti Sagar||Rajesh Roshan||Harendranath Chattopadhyay||Vikram|
|18||O Hansini Meri Hansini Kahaan Ud Chali||Zehreela Insaan (1974)||Kishore Kumar||Rahul Dev Burman||Majrooh Sultanpuri||Neetu Singh|
|17||Main Hoon Ghoda Ye Hai Gaadi||Kunwara Baap (1974)||Kishore Kumar||Rajesh Roshan||Majrooh Sultanpuri||Mehmood|
|16||Jalta Hai Jiya Mera Bheegi Bheeti Raaton Me||Zakhmee (1975)||Asha Bhosle||Bappi Lahiri||Gauhar Kanpuri||Rakesh Roshan|
|Kishore Kumar||Reena Roy|
|15||Ye Jo Public Hai Ye Sab Jaanti Hai||Roti (1974)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Rajesh Khanna|
|14||Is Mod Mod Se Jaate Hai Kuchh Sust Kadam Raste||Aandhi (1975)||Lata Mangeshkar||Rahul Dev Burman||Gulzar||Sanjeev Kumar|
|Kishore Kumar||Suchitra Sen|
|13||Tun Tuna Tun Tuna Tun Tuna Mere Sasura Bada Paise Wala||Bidaai (1974)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Jeetendra|
|12||O Maanjhi Re||Khushboo (1974)||Kishore Kumar||Rahul Dev Burman||Gulzar||Jeetendra|
|11||Hum Dono Do Premi Duniya Chhod Chale||Ajanabee (1974)||Lata Mangeshkar||Rahul Dev Burman||Anand Bakshi||Rajesh Khanna|
|Kishore Kumar||Zeenat Aman|
|10||Chal Dariya Me Doob Jaayen/Prem Kahani Me||Prem Kahani (1975)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Rajesh Khanna|
|9||Jhoom Barabar Jhoom Sharbi||5 Rifles (1974)||Aziz Nazan||Aziz Nazan||Naza Sholapuri||I.S. Johar|
|8||Rajnigandha Phool Tumhare Mehake Yoon Hi||Rajnigandha (1974)||Lata Mangeshkar||Salil Chowdhury||Yogesh||Vidya Sinha|
|7||Dil Aisa Kisi Ne Mera Toda||Amanush (1975)||Kishore Kumar||Shyam Lal Mitra||Indeevar||Uttam Kumar|
|6||Waada Kar Le Saajna||Haath Ki Safai (1974)||Mohammed Rafi||Kalyanji-Anandji||Gulshan Bawra||Vinod Khanna|
|Lata Mangeshkar||Simmi Garewal|
|5||Tere Bina Zindagi Se Koi||Aandhi (1975)||Lata Mangeshkar||Rahul Dev Burman||Gulzar||Sanjeev Kumar|
|Kishore Kumar||Suchitra Sen|
|4||Saj Rahi Gali Meri Maa Sunhare Gote Me||Kunwara Baap (1974)||Mohammed Rafi||Rajesh Roshan||Majrooh Sultanpuri||Mehmood|
|3||Bhool Gaya Sab Kuchh||Julie (1975)||Kishore Kumar||Rajesh Roshan||Anand Bakhsi||Vikram|
|2||Haye Haye Ye Majboori Ye Mausam Aur Ye Doori||Roti Kapada Aur Makaan (1974)||Lata Mangeshkar||Laxmikant-Pyarelal||Verma Malik||Zeenat Aman|
|1||Mehangai Maar Gayi||Roti Kapada Aur Makaan (1974)||Mukesh||Laxmikant-Pyarelal||Verma Malik||Manoj Kumar|
|Narendra Chanchal||Moushumi Chatterjeehttps://bollywoodproduct.in/tag/vinod-khanna-songs/|
|Jani Babu Qawwal||Prem Nath|
1975 Binaca Geetmala Highlights
- Out of top ten songs, two songs each were penned by Anand Bakshi and Verma Malik. Rest of the six songs were penned by Majrooh Sultanpuri, Gulzar, Gulshan Bawra, Indeevar, Yogesh and Naza Sholapuri by one each.
- Out of these top ten songs, three songs each were composed by Laxmikant-Pyarelal. Two songs were composed by Rajesh Roshan. The rest of the songs were composed by Rahul Dev Burman, Kalyanji-Anandji, Shyam Lal Mitra, Salil Chowdhury and Aziz Nazan by one each.
Also See – Binaca Geetmala 1974 Binaca Geetmala 1976
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.