Binaca Geetmala 1974 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1974.
List of Most Popular Songs of 1974
|33||Jhoom Barabar Jhoom Sharbi||5 Rifles (1974)||Aziz Nazan||Aziz Nazan||Naza Sholapuri||I.S. Johar|
|32||Baith Ja Baith Gayi||Amir Garib (1974)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Hema Malini|
|Kishore Kumar||Dev Anand|
|31||Yaadon Ki Baarat (Title Song)||Yaadon Ki Baarat (1973)||Kishore Kumar||R.D. Burman||Majrooh Sultanpuri||Dharmendra|
|Mohammed Rafi||Vijay Arora|
|30||Saala Main To Saahab Ban Gaya||Sagina (1974)||Kishore Kumar||Sachin Dev Burman||Majrooh Sultanpuri||Dilip Kumar|
|Pankaj Mitra||Om Prakash|
|29||Waada Kar Le Saajna||Haath Ki Safai (1974)||Lata Mangeshkar||Kalyanji-Anandji||Gulshan Bawra||Vinod Khanna|
|Mohammed Rafi||Simi Garewal|
|28||Aaya Hoon Main Tujh Ko||Manoranjan (1974)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Zeenat Aman|
|Asha Bhosle||Sanjeev Kumar|
|27||Chup Chup Chup Kyon Baithe Ho||Hamrahi (1794)||Mohammed Rafi||Kalyanji-Anandji||Jan Nisar Akhtar||Randhir Kapoor|
|26||Daal Roti Khao Prabhu Ke Gun Gao||Jwara Bhata (1973)||Kishore Kumar||Laxmikant-Pyarelal||Rajendra Krishan||Dharmendra|
|Lata Mangeshkar||Saira Banu|
|25||Gham Ka Fasaana Ban Gaya Achchha||Manchali (1974)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Sanjeev Kumar|
|24||O Manchali Kahaan Chali||Manchali (1974)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Leena Chandravarkar|
|23||Tu Ru Ruru Ruru Tera Mera Pyar Shuru||Jwara Bhata (1973)||Kishore Kumar||Laxmikant-Pyarelal||Rajendra Krishan||Dharmendra|
|22||Shor Mach Gaya Shor Dekho Aaya Maakhan Chor||Badla (1974)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Shatrughan Sinha|
|21||Jheel Ke Us Paar (Title Song)||Jheel Ke Us Paar (1973)||Lata Mangeshkar||Rahul Dev Burman||Anand Bakshi||Mumtaz|
|20||Aap Ke Kamre Me Koi Rehta Hai||Yaadon Ki Baarat (1973)||Kishore Kumar||Rahul Dev Burman||Majrooh Sultanpuri||Vijay Arora|
|Asha Bhosle||Zeenat Aman|
|Rahul Dev Burman||Tariq|
|19||Ek Daal Par Tota Bole Ek Daal Par Maina||Chor Machaye Shor (1974)||Mohammed Rafi||Ravindra Jain||Indrajeet Singh Tulsi||Mumtaz|
|18||Nadiya Se Dariya Dariya Se Saagar||Namak Haram (1973)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Rajesh Khanna|
|17||Karwaten Badaltate Rahe Saari Raat Hum||Aap Ki Kasam (1974)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Rajesh Khanna|
|16||Meet Na Mila Re Man Ka||Abhimaan (1973)||Kishore Kumar||Sachin Dev Burman||Majrooh Sultanpuri||Amitabh Bachchan|
|15||Raaz Ki Baat Kah Doon To Jaane Mehfilm Me Phir Kya Ho||Dharma (1973)||Asha Bhosle||Sonik-Omi||Verma Malik||Rekha|
|14||Panna Ki Tamanna Hai Ki Heera Use Mil Jaaye||Heera Panna (1973)||Lata Mangeshkar||Rahul Dev Burman||Anand Bakshi||Zeenat Aman|
|Kishore Kumar||Dev Anand|
|13||Ye Dil Aur Un Ki Nigaahone Ke Saaye||Prem Parvat (1973)||Lata Mangeshkar||Jaidev||Jan Nisar Akhtar||Rehana Sultan|
|12||Main Shayar To Nahi||Bobby (1973)||Shailendra Singh||Laxmikant-Pyarelal||Anand Bakshi||Rishi Kapoor|
|11||Chura Liya Hai Tumne Jo Dil Ko||Yaadon Ki Baarat (1973)||Asha Bhosle||R.D. Burman||Majrooh Sultanpuri||Zeenat Aman|
|Mohammed Rafi||Vijay Arora|
|10||Teri Galiyon Me Na Rakhenge Kadam||Hawas (1974)||Mohammed Rafi||Usha Khanna||Sawan Kumar||Anil Dhawan|
|Bhupinder Singh||Neetu Singh|
|9||Ye Laal Rang Ab Mujhe Chhodega||Prem Nagar (1974)||Kishore Kumar||Sachin Dev Burman||Anand Bakshi||Rajesh Khanna|
|8||Le Jaayenge Le Jaayenge Dilwale Dulhaniya Le Jaayenge||Chor Machaye Shor (1974)||Kishore Kumar||Ravindra Jain||Indrajeet Singh Tulsi||Shashi Kapoor|
|7||Peete Peete Kabhi Kabhi Yoon Jaam Badal Jaate Hain||Bairag (1976)||Mohammed Rafi||Kalyanji-Anandji||Anand Bakshi||Dilip Kumar|
|Asha Bhosle||Leena Chandravarkar|
|6||Peene Waalon Ko Peene Ka Bahana Chahiye||Haath Ki Safai (1974)||Kishore Kumar||Kalyanji-Anandji||Gulshan Bawra||RandhirKapoor|
|5||Are Rafta Rafta Dekho Aankh Meri Ladi Hai||Kahani Kismat Ki (1973)||Kishore Kumar||Kalyanji-Anandji||Rajendra Krishan||Dharmendra|
|4||Gaadi Bula Rahi Hai Seeti Bana Rahi Hai||Dost (1974)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Dharmendra|
|3||Jhooth Bole Kauva Kaate||Bobby (1973)||Lata Mangeshkar||Laxmikant-Pyarelal||Vithalbhai Patel||Rishi Kapoor|
|Shailendra Singh||Dimple Kapadia|
|2||Jai Jai Shiv Shankar Kaanta Lage Na Kankar||Aap Ki Kasam (1974)||Kishore Kumar||R. D Burman||Anand Bakshi||Rajesh Khanna|
|1||Mera Jeewan Kora Kaagaz||Kora Kagaz (1974)||Kishore Kumar||Kalyanji-Anandji||M.G. Hashmat||Jaya Bhaduri|
1974 Binaca Geetmala Highlights
- Out of top ten songs, four songs were penned by Anand Bakshi. The rest of the six songs were written by M.G. Hashmat, Vithalbhai Patel, Rajendra Krishan, Gulshan Bawra, Indrajeet Singh Tulsi and Saawan Kumar by one each.
- Out of these top ten songs, four songs each were composed by Kalyanji-Anandji and two songs were composed by Laxmikant-Pyarelal. The rest of the four songs were composed by Sachin Dev Burman, Rahul Dev Burman, Usha Khanna and Ravinda Jain by one each.
Also See – Binaca Geetmala 1973 Binaca Geetmala 1975
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.