Binaca Geetmala 1976 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1976.
Annual List of Binaca Geetmala 1976
|33||Maine Kya Kiya Oye Kya Gal Hai||Jaaneman (1976)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Dev Anand|
|Kishore Kumar||Hema Malini|
|32||Koyi Aaya Aane Bhi De||Kala Sona (1975)||Asha Bhosle||Rahul Dev Burman||Majrooh Sultanpuri||Helen|
|31||Main Tum Se Muhabbat Karti Hoon||Warrant (1975)||Lata Mangeshkar||Rahul Dev Burman||Anand Bakshi||Dev Anand|
|30||Tu Kahaan Gayi Thi Tera Mar Jaaye Saanwariya||Dharam Karam (1975)||Lata Mangeshkar||Rahul Dev Burman||Majrooh Sultanpuri||Randhir Kapoor|
|29||Seema Seema Seema Sahne Ki Bhi Hai Koyi Seema||Salaakhen (1976)||Kishore Kumar||Ravindra Jain||Ravindra Jain||Mehmood|
|Asha Bhosle||Shashi Kapoor|
|28||Jeeja Jee Meri Jiji Hai Anaadi||Ponga Pandit (1975)||Asha Bhosle||Laxmikant-Pyarelal||Rajinder Krishan||Randhir Kapoor|
|Kishore Kumar||Danny Dengzogpa|
|Usha Mangeshkar||Nita Mehta|
|27||Tota Maina Ki Kahaani To Puraani Puraani Ho Gayi||Fakira (1976)||Kishore Kumar||Ravindra Jain||Ravindra Jain||Shashi Kapoor|
|Lata Mangeshkar||Shabana Azmi|
|26||Kal Ki Haseen Mulaqaat Ke Liye||Charas (1976)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Hema Malini|
|25||Ke Aa Ja Teri Yaad Aay||Charas (1976)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Hema Malini|
|24||Mujhe Dard Rahta Hai||Dus Numbri (1976)||Lata Mangeshkar||Laxmikant-Pyarelal||Majrooh Sultanpuri||Hema Malini|
|23||Ruk Jaana O Jaana Hum Se Do Baaten||Warrant (1975)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Dev Anand|
|22||Jaaneman, Jaaneman Jaaneman Kisi Ka Naam Nahin||Jaaneman (1976)||Kishore Kumar||Laxmikant-Pyarelal||Dev Anand|
|21||Jaaneman Jaaneman Tere Do Nayan||Chhoti Si Baat (1976)||Yesu Das||Sahil Chowdhury||Yogesh||Vidya Sinha|
|Asha Bhosle||Amol Palekar|
|20||Koyi Haseena Jab Rooth Jati Hai To||Sholay (1975)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Dharmendra|
|19||Dariya Kinaare Ik Banglo Go Pori Ai Jo Ai||Sabse Bada Rupaiya (1976)||Kishore Kumar||Basu Manohari||Majrooh Sultanpuri||Mehmood|
|Lata Mangeshkar||Moushumi Chatterjee|
|18||Chalte Chalte Mere Ye Geet Yaad Rakhna||Chalte Chalte (1976)||Kishore Kumar||Bappi Lehri||Amit Khanna||Simi Garewal|
|17||Mere Naina Saawan Bhaado (Female)||Mehbooba (1976)||Lata Mangeshkar||Rahul Dev Burman||Anand Bakshi||Rajesh Khanna|
|16||Parabat Ke Peechhe Chambe Da Gaanv||Mehbooba (1976)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Rajesh Khanna|
|Lata Mangeshkar||Hema Malini|
|15||Ye Hai Geeta Ka Gyan||Sanyasi (1975)||Mukesh||Shankar-Jaikishan||Vishweshwar Sharma||Mnoj Kumar|
|Lata Mangeshkar||Hemal Malini|
|14||Gori Tera Gaanv Bada Pyaara||Chitchor (1976)||Yesudas||Ravindra Jain||Ravindra Jain||Amol Palekar|
|13||Sun Bal Brahmchaari Main Hoon Kanya Kunwaari||Sanyasi (1975)||Mukesh||Shankar-Jaikishan||Verma Malik||Hema Malini|
|Lata Mangeshkar||Manoj Kumar|
|12||Dil Dhoondta Hai Phir Wohi||Mausam (1976)||Lata Mangeshkar||Madan Mohan||Gulzar||Sharmila Tagore|
|Bhupinder Singh||Sanjeev Kumar|
|11||Apne Jeewan Ki Uljhan Ko Kaise Main||Uljhan (1975)||Kishore Kumar||Kalyanji-Anandji||M G Hashmat||Sanjeev Kumar|
|10||Ye Duniya Ek Numbri To Main Dus Numbri||Dus Numbri (1976)||Mukesh||Laxmikant-Pyarelal||Majrooh Sultanpuri||Manoj Kumar|
|9||Ye Dosti Ham Nahin Todenge||Sholay (1975)||Manna Dey||Rahul Dev Burman||Anand Bakshi||Amitabh Bachchan|
|8||Shyaam Teri Bansi Pukaare Raadha Naam||Geet Gaata Chal (1975)||Jaspal Singh||Ravindra Jain||Ravindra Jain||Sachin|
|7||Main Pal Do Pal Ka Shaayar Hoon||Kabhi Kabhie (1976)||Mukesh||Khayyam||Sahir Ludhianvi||Amitabh Bachchan|
|6||Mehbooba Mehbooba||Sholay (1975)||R D Burman||Rahul Dev Burman||Anand Bakshi||Amitabh Bachchan|
|5||Chal Sanyasi, Mandir Me||Sanyasi (1975)||Lata Mangeshkar||Shankar-Jaikishan||Vishweshwar Sharma||Hema Malini|
|4||Geet Gaata Chal O Saathi Gungunata Chal||Geet Gaata Chal (1975)||Jaspal Singh||Ravindra Jain||Ravindra Jain||Sachin|
|3||Main To Aaratee Utaaroon Re||Jai Santoshi Maa (1975)||Usha Mangeshkar||C Arjun||Kavi Pradeep||Kanan Kaushal|
|2||Ek Din Bik Jayega Maati Ke Mol||Dharam Karam (1975)||Mukesh||Rahul Dev Burman||Majrooh Sultanpuri||Raj Kapoor|
|1||Kabhi Kabhi Mere Dil Me||Kabhi Kabhie (1976)||Mukesh||Khayyam||Sahir Ludhiyanvi||Amitabh Bachchan|
1976 Binaca Geetmala Highlights
- Out of top ten songs, two songs each were penned by Majrooh Sultanpuri, Anand Bakshi, Ravindra Jain and Sahir Ludhiyanvi. Rest of two songs were written by Kavi Pradeep and Vishweshwar Sharma by one each.
- Out of these top ten songs, three songs each were composed by Rahul Dev Burman. Ravindra Jain and Khayyam composed two songs each. Rest of he three songs were composed by Shankar-Jaikishan, Laxmikant-Pyarelal and C. Arjun by one each.
Also See – Binaca Geetmala 1975 Binaca Geetmala 1977
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.