Film Review-Sandeep Aur Pinki Faraar


Sandeep Aur Pinki Faraar is a Bollywood Mystery Thriller Film. Dibakar Banerjee has produced and directed the film. Arjun Kapoor and Parineeta Chopra are in the lead role.

Sandeep Aur Pinki Faraar was earlier scheduled to be released on March 20, 2020. However, the release of the film was postponed due to the nationwide shutdown of cinema halls due to Covid epidemics. The film has finally released on 19 March 2021.

The Film is a gradual process dark satire around two individuals who have a place with various universes compelled to escape together to take care of themselves.


Sandeep Walia a.k.a. Sandy (Parineeti Chopra) is a successful Banker. However, she faces a corruption case against her due to her boss. She tries every possible way to escape from the corruption charges but she has made a scapegoat. She flees and her boss is after him.

On the other hand, the lead male actor Pinkesh a.k.a. Pinki (Arjun Kapoor) is a cop in Haryana Police. He is suspended from the police and some people are after him including a big shot cop.

In the race of survival, Sandeep and Pinki meet with each other and Pinki give an extended hand for help. Sandeep reluctantly accepts the help of Pinki who addresses the lower rung of a profoundly partitioned India with glaring monetary and class imbalances. Pinki is uncivilized and unlikeable from the start, while Sandeep is modern outwardly with an obscure back-story.
What was the bank scam case, who was the mastermind of the scam, why Sandy is made a scapegoat, and why she takes the help of Pinki are some of the questions which can be answered only after watching the movie?

Sandeep aur Pinki Faraar-Trailer

Sandeep aur Pinki Faraar-Trailer

Film Review

Their common hatred and disdain for one another are discernible from the word go. Pinki is a frantic Harayanvi constable who takes on something important to disavow the year-long suspension gave over by his chief. On the other hand, Sandeep a.k.a. sandy is an informed financial gold medalist with problematic insight regarding men and hard-working attitudes. Her extravagant garments, fancier fashioner sacks, red lips, and manicured nails are in sharp difference to Pinky’s messy and testy persona.


The film is Parineeti Chopra’s show that is convincing as the spoiled corporate honcho Sandeep Walia. Without lifting a finger, she is a coursebook elitist who brings an entirely hidden feeling of advantage, privilege, and dissatisfaction when her valuable life unwinds at a fast speed.

Entertainer Arjun Kapoor likewise holds his ground as profoundly unlikeable savagery inclined cop. His suppressed anger and anxiety at the out-of-line world everywhere and savage women like Chopra, specifically, is very impressive on screen. This film will always be counted as one of the best films of his acting career.

Veteran entertainers like Raghubir Yadav and Neena Gupta (imagined) have done exceptionally well. As a peevish, however charming modest community maturing couple they bring a specific sort of warmth into this film. They resemble a beam of daylight in the usually grim presences of Pinky and Sandeep.


Dibakar Banerjee has done a good job in the film, especially as a director. There are moments in the film when the speed goes slow but before you can yawn again an unexpected turn makes you aware of the film again.

The peak of the movie is interesting and you need to appreciate the director for not copping out. The climax is not anticipated at all, as usual, the credit goes to Banerjee. It is a daring and even-minded closure. Actually, like how life is not great, their lives do not mysteriously improve either before two hours’ over.

Something is delighting and profoundly fulfilling around two sullen spirits finding a fragment of joy in their various manners. The dim humor plays out well in numerous scenes. The parts in which Sandeep’s architect pack gets meaningful of her advantage are entertainingly exhibited. Though the film lacks speed many a time, yet it gains the interest of the audience followed by a new twist & turn.

While Chopra’s character has a superior back story, Kapoor’s humble and nonessential presence would have profited by more profundity. You may likewise need to suspend confidence in how these two figures out how to be on the run with such proficiency, regardless of having restricted assets. This film could be a reverberating slap on man-controlled society an advantage, however, loses its steam halfway when the story starts getting confounded. A great deal is going on in this film, so do not beat yourself if topics around tricks, rape, sullen men, industrialist covetousness, and individual avarice overpower you.


Sometimes songs create a hurdle for a smooth-going thriller film. Perhaps that is why songs are not there in the film except for the title song “Faraar”. Anu Malik has composed music for it in his titular retro style. The song is ok and goes with the theame of the film.


Bollywood Product rates the film 6 out of 10 just because of the unique and unexpected twists and turns followed by a surprising climax. However, an average of 5.7 out of 10 ratings is given by the users at IMDB out of 21 ratings at the time of writing this review. Bollywood Product recommends watching the film if you are a dark thriller lover.

The film is a deft interpretation of class fighting and social disparities yet battle to hold those dubious strings together.

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