Binaca Geetmala 1988

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Binaca Geetmala 1988 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.

After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.

Here is the list of annual list of songs aired in the Binaca Geetmala-1988.

Annual List of Binaca Geetmala 1988

RankSongFilmSingerMusicLyricistCast
32Pyar Ka Mandir (Title Song)Pyaar Ka Mandir (1988)Mohammed AzizLaxmikant-PyarelalAnand BakshiMithun Chakraborty
Kavita KrishnamurthyShraddha Verma
Suresh WadkarRaj Kiran
Udit NarayanSachin
Nirupa Roy
31Mera Kuchh SaamaanIjaazat (1988)Asha BhosleRahul Dev BurmanGulzarAnuradha Patel
Naseeruddin hah
30Phool Gulaab KaBiwi Ho To Aisi (1988)Anuradha PaudwalLaxmikant-PyarelalSameerRekha
Mohammed AzizFarooq Shaikh
29Hanste Hanste Kat Jaaye RasteKhoon Bhari Maang (1988)Sadhna SargamRajesh RoshanIndeevarRekha
Nitin MukeshRakesh Roshan
28Zindagi Pyar HaiPaap Ki Duniya (1988)Asha BhosleBappi LahiriAnjaanNeelam Kothari
Shailendra SinghSunny Deol
Shabbir KumarChunky Pandey
27Maine Bhi Ek Geet Likha Hai Teri Soorat Dekh KarHamara Khandaan (1988)Shabbir KumarLaxmikant-PyarelalFaruk KaiserRishi Kapoor
Farha Naaz
26Akele Hain To Kya Gham Hai (1988)Qayamat Se Qayamat TakAlka YagnikAnand-MilindMajrooh SultanpuriJuhi Chawla
Udit NarayanAamir Khan
25Log Kahte Hai Ki Peela Chand Hai Sabse HaseenKhudgarz (1987)Mohammed AzizRajesh RoshanIndeevarJeetendra
Sadhna SargamBhanu Priya
24O Duniya Tu Yaad RakhnaWaaris (1988)Mahendra KapoorUttam-JagdishQamar JalalabadiRaj Babbar
Amrita Singh
Smita Patil
23Mere Pyar Ki Umar Ho Itni SanamWaaris (1988)Lata MangeshkarUttam-JagdishVerma MalikAmrita Singh
Manmohan SinghRaj Babbar
22Patjhad Saawan Basant BahaarSindoor (1987)Lata MangeshkarLaxmikant-PyarelalAnand BakshiJaya Prada
Suresh WadkarHema Malini
Mohammed AzizShashi Kapoor
21Kasam Kya Hoti HaiKasam (1988)Asha BhosleBappi LahiriIndeevarPoonam Dhillon
Nitin MukeshAnil Kapoor
20Barse Re SaawanDariya Dil (1988)Sadhna SargamRajesh RoshanIndeevarKimi Katkar
Mohammed AzizGovinda
19Main Pyar Ka Pujaari Mujhe Pyar ChaahiyeHatyaSapna MukherjeeBappi LahiriIndeevarNeelam Kothari
Mohammed AzizGovinda
18Bandhan Toote Na Saari ZindagiPaap Ki Duniya (1988)Lata MangeshkarBappi LahiriAnjaanNeelam Kothari
Shabbir KumarSunne Deol
17Kah Do Ki Tum Ho Meri VarnaTezaab (1988)Anuradha PaudhwalLaxmikant-PyarelalJaved AkhtarMadhuri Dixit
Amit KumarAnil Kapoor
16Jab Pyar Kiya Ikraar KiyaWatan Ke Rakhwale (1987)Anuradha PaudwalLaxmikant-PyarelalMajrooh SultanpuriSridevi
Mohammed AzizMithun Chakraborty
15Dulhe Raaja Dekh Dulhaniya Doli Laayi HaiPyaar Ki Jeet (1987)Asha BhosleUsha KhannaSaawan KumarRekha
Vinod
14Aaj Phir Tum Pe Pyar Aaya HaiDayavaan (1988)Anuradha PaudwalLaxmikant-PyarelalAzeez QaisiMadhuri Dixit
Pankaj UdhasVinod Khanna
13Gazab Ka Hai DinQayamat Se Qayamat Tak (1988)Alka YagnikAnand-MilindMajrooh SultanpuriJuhi Chawla
Udita NarayanAamir Khan
12Ye Raat Ye BarsaatAwaam (1987)Asha BhosleRaviHasaan kamalSmita Patil
Mahendra KapoorRaj Babbar
11Ek Do Teen ChaarTezaab (1988)Alka YagnikLaxmikant-PyarelalJaved AkhtarMadhuri Dixit
Amit Kumar
10Aye Mere Humsafar Ik Zara IntzaarQayamat Se Qayamat Tak (1988)Alka YagnikAnand-MilindMajrooh SultanpuriJuhi Chawla
Udit NarayanAamir Khan
9Main Se Meena Se Na Saaki SeKhudgarz (1987)Mohammed AzizRajesh RoshanIndeevarGovinda
Sadhna SargamNeelam Kothari
8Jaane Do Jaane Do Mujhe Jaana HaiShahenshah (1988)Lata MangeshkarAmar-UtpalAnand BakshiMeenakshi Seshadri
Mohammed AzizAmitabh Bachchan
7Ungli Me Angoothi Angoothi Me NaginaRam-Avtar (1988)Lata MangeshkarLaxmikant-PyarelalAnand BakshiSridevi
Mohammed AzizSunny Deol
6Main Tera Tota Tu Meri Maina (1988)Paap Ki DuniyaKishore KumarBappi LahiriAnjaanChunky Pandey
S. JanakiNeelam Kothari
5O Yaara To Pyaaron Se Hai PyarKash (1987)Kishore KumarRajesh RoshanFaruq QaiserJackie Shroff
Anupama DeshpandeMeenakshi Seshadri
4Joulie Joulie Johney Ka Dil Tum Pe Aaya JulieJeeten Hain Shaan Se (1988)Anu MalikAnu MalikIndeevarMithun Chakraborty
Mandakini
3Waqt Bewakt Tum Yaad Aane Lage
Sindoor (1987)Lata MangeshkarLaxmikant-PyarelalAnand BakshiNeelam Kothari
Mohammed AzizGovinda
2Tujhe Itna Pyar Karen Tujhe Kitna Pyar KarenKudrat Ka Kanoon (1987)Lata MangeshkarLaxmikantSameerRadhika Sarathkumar
Shabbir KumarJackie Shroff
1Papa Kahte Hai Bada Naam KaregaQayamat Se Qayamat Tak (1988)Udit NarayanAnand-MilindMajrooh SultanpuriAamir Khan
Alka YagnikDalip Tahil

1988 Binaca Geetmala Highlights

  • Out of top ten songs, Anand Bakshi penned teen songs. Whereas Majrooh Sultanpuri and Indeevar penned two songs each. The other three songs were written by Anjaan, Sameer, and Faruq Qaiser by one each.
  • Out of the top ten songs, three songs were composed by Laxmikant Pyarelal. Anand-Milind and Rajesh Roshan composed two songs each. The remaining three songs were composed by Anu Malik, Bappi Lahiri and Amar-Utpal by one each.

Also See – Binaca Geetmala 1987 Binaca Geetmala 1989

About Binaca Geetmala

Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.

Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.

At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals

The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.

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