Binaca Geetmala 1987 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1987.
Annual List of Binaca Geetmala 1987
|30||Teda Meda Main||Jalwa (1987)||Remo Fernandes||Anand-Milind||Sameer||Archana Puran Singh|
|29||Ujiyaara Bhor Ka||Kariye Kshama (1985)||Hemlata||Ravindra Jain||Ravindra Jain||Swapana|
|28||Jab Pyar Kiya Ikraar Kiya||Watan Ke Rakhwale (1987)||Anuradha Paudwal||Laxmikant Pyarelal||Majrooh Sultanpuri||Sridevi|
|Mohammed Aziz||Mithun Chakraborty|
|27||Koyi Gopi Aayi Shikayat Laayi||Bhajan Rath (Non Filmy Album)||Anup Jalota||Dhananjay||Vishweshwar Shakuntal||Non Filmy|
|26||Na Tum Ne Kiya Na Hum Ne Kiya||Nache Mayuri (1986)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Sudha Chandran|
|S. Janaki||Shekhar Kapoor|
|26||Teri Jawaani Ke Charche||Hawalaat (1987)||Mohammed Aziz||Anu Malik||Gulshan Bawra||Rishi Kapoor|
|Asha Bhosle||Anita Raj|
|25||Main Aaj Bahut Khush Hoon||Sansaar (1987)||S. P. Balasubrahmanyam||Bappi Lahiri||Indeevar||Anupam Kher|
|Kavita Krishnamurthy||Usha Khanna||Saawan Kumar||Rekha|
|Suresh Wadkar||Archana Joglekar|
|24||Ram Ram Bolo Prabhu In Ki Aankhen Khol||Hukumat (1987)||Alka Yagnik||Laxmikant Pyarelal||Verma Malik||Dharmendra|
|Kavita Krishnamurthy||Huma Khan|
|Shabbir Kumar||Rajendra Nath|
|24||Humsafar Gham Jo Mohabbat Me||Shohrat (1986) Non Filmy Album||Anup Jalota||Anup Jalota||Murad Lucknowi||Non Filmy|
|23||Ameer Se Hoga Ya Gareeb Se Hoga||Insaaniyat ke Dushman (1987)||Suresh Wadkar||Anu Malik||Sameer||Raj Babbar|
|22||Ye Raat Ye Barsaat||Awaam (1987)||Asha Bhosle||Ravi||Hasan Kamaal||Smita Patil|
|Mahendra Kapoor||Raj Babbar|
|21||Pyar Se Hai Duniya Haseen Pyar Nahi To Kuchh Nahi||Aag hi Aag (1987)||Shabbir Kumar||Bappi Lahiri||Anjaan||Chunky Pandey|
|20||Patthar Ke Khuda Patthar Ke Sanam||Passion (1987) Non Filmy Album||Jagjit Singh||Jagjit Singh||Sudarshan Faakir||Non Filmy|
|19||Waqt Bewakt Tum Yaad Aane Lage||Sindoor (1987)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Neelam Kothari|
|18||O Yaara Tu Pyaaron Se Hai Pyaara||Kash (1987)||Kishore Kumar||Rajesh Roshan||Faruq Qaiser||Jackie Shroff|
|Anupama Deshpand||Dhimple Kapadia|
|17||Aur Is Dil Me Kya Rakha Hai (Male)||Imaandaar (1987)||Suresh Wadkar||Kalyanji-Anandji||Prakash Mehra||Sanjay Dutt|
|Aur Is Dil Me Kya Rakha Hai (Female)||Asha Bhosle||Farha Naaz|
|16||Jaane Do Jaane Do Mujhe Jaana Hai||Shahenshah (1988)||Lata Mangeshkar||Amar-Utpal||Anand Bakshi||Meenakshi Seshadri|
|Mohammed Aziz||Amitabh Bachchan|
|15||Jalwa (Title Track)||Jalwa (1987)||Remo Fernandes||Remo Fernandes||Remo Fernandes||Archana Puran Singh|
|14||Hawa Hawai||Mr. India (1987)||Kavita Krishnamurty||Laxmikant-Pyarelal||Javed Akhtar||Sridevi|
|13||Parody Song||Mr. India (1987)||Anuradha Paudwal||Laxmikant-Pyarelal||Javed Akhtar||Sridevi|
|Shabbir Kumar||Anil Kapoor|
|12||Saajan Aa Jao||Aag Hi Aag||Asha Bhosle||Bappi Lahiri||Anjaan||Neelam Kothari|
|Shabbir Kumar||Chunky Pandey|
|11||Karte Hai Ham Pyar Mr. India Se||Mr. India (1987)||Kavita Krishnamurty||Laxmikant-Pyarelal||Javed Akhtar||Sridevi|
|Kishore Kumar||Anil Kapoor|
|11||Dil Pukaare Jeeva||Jeeva (1986)||Asha Bhosle||Rahul Dev Burman||Gulzar||Mandakini|
|S. Janaki||Shakti Kapoor|
|10||Main Se Meena Se Na Saaki Se||Khudgarz (1987)||Mohammed Aziz||Rajesh Roshan||Indeevar||Govinda|
|Sadhna Sargam||Neelam Kothari|
|9||Zindagi Ka Naam Dosti||Khudgarz (1987)||Mohammed Aziz||Rajesh Roshan||Indeevar||Jeetendra|
|Nitin Mukesh||Shatrughan Sinha|
|8||Ameeron Ki Shaam Gareebon Ke Naam||Naam (1986)||Mohammed Aziz||Laxmikant-Pyarelal||Anand Bakshi||Kumar Gaurav|
|7||Andheri Raaton Me Sunsaan Raahon Par||Shahenshah (1988)||Kishore Kumar||Amar-Utpal||Anand Bakshi||Amitabh Bachchan|
|6||Dance Dance (Title Song)||Dance Dance (19687)||Vijay Benedict||Bappi Lahiri||Anjaan||Mithun Chakraborty|
|5||Tune Bechain Itna Jayaada Kiya||Nagina (1986)||Mohammed Aziz||Laxmikant-Pyarelal||Anand Bakshi||Rishi Kapoor|
|4||Main Teri Dushman||Nagina (1986)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Sridevi|
|3||Mahi Ve Na Jaiyo Pardes||Karma (1986)||Kavita Krishnamurthy||Laxmikant-Pyarelal||Anand Bakshi||Poonam Dhillon|
|2||Chal Bhaag Chale Purab Ki Aur||Kalyug Ki Ramayan (1987)||Lata Mangeshkar||Kalyanji-Anandji||Verma Malik||Madhavi|
|1||Chiththi Aayi Hai Aahi Hai Chiththi Aaayi||Naam (1986)||Pankaj Udhas||Laxmikant-Pyarelal||Anand Bakshi||Pankaj Udhas|
1987 Binaca Geetmala Highlights
- Out of top ten songs, Anand Bakshi penned six songs whereas Indeevar penned two songs. The other two songs each were written by Verma Malik and Anjaan by one each.
- Out of the top ten songs, five songs were composed by Laxmikant Pyarelal and two songs were composed by Rajesh Roshan. The reamining three songs were composed by Kalyanji-Anandji, Bappi Lahiri and Amar-Utpal by one each.
Also See – Binaca Geetmala 1986 Binaca Geetmala 1988
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.