Binaca Geetmala 1989

Binaca Geetmala 1989 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.

After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.

Here is the list of annual list of songs aired in the Binaca Geetmala-1989.

Annual List of Binaca Geetmala 1989

1989 Binaca Geetmala Highlights

• Out of the top ten songs, Anand Bakshi penned five songs three songs and Javed Akhtar penned two songs. The remaining three songs each were written by Majrooh Sultanpuri, Indeevar, and David Bowie by one each.
• Out of the top ten songs, five songs were composed by Laxmikant Pyarelal. The reamining five songs were composed by Kalyanji-Anandji, Anu Malik, Shiv-Hari, Anand-Milind, and Mehboob Ashraf by one each.
• Hawa Hawa”, ranked at No. 10, was a non-filmy song. Pakistani singer Hasan Jahangir sang and performed in the song video. The song became very popular in Indian. And Hasan Jahangir became a heartthrob of youngsters overnight.
• Bollywood is fixated on Hawa tune and has reproduced the tune multiple times, now and then with similar verses and music and at some point with copied music.

Also See – Binaca Geetmala 1988 Binaca Geetmala 1990

About Binaca Geetmala

Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.

Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.

At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals

The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.

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