Binaca Geetmala 1973

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Binaca Geetmala 1973 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.

After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.

Here is the list of annual list of songs aired in the Binaca Geetmala-1973.

List of Most Popular Songs of 1973

RankSongFilmSingerMusicLyricistCast
37Thokar Me Hai Meri Saara ZamaanaShehzada (1972)Kishore KumarRajendra KrishanRajesh Khanna
36Baahon Me Chale AaoAnamika (1973)Lata MangeshkarRahul Dev BurmanMajrooh SultanpuriJaya Bhaduri Bachchan
Sanjeev Kumar
35Kayi Sadiyon Se Kai Janmon SeMilap (1972)MukeshBrij MohanNaqsh lyallpuriShatrughan Sinha
Reena Roy
34Zara Sa Us Ko Chhua To Us NeShor (1972)Lata MangeshkarLaxmikant-PyarelalSantosh AnandJaya Bhaduri Bachchan
Manoj Kumar
33Deewane Hain Deewano Ko Na Ghar ChahiyeZanjeer (1973)Lata MangeshkarKalyanji-AnandjiGulshan BawraJaya Bhaduri Bachchan
Mohammed RafiAmitabh Bachchan
32Jhooth Bole Kauva KaateBobby (1973)Lata MangeshkarLaxmikant-PyarelalVithalbhai PatelRishi Kapoor
Shailendra SinghDimple Kapadia
31Sun Ri Pawan Pawan PurvaiyyaAnuraag (1973)Lata MangeshkarSachin Dev BurmanAnand BakshiMoushmumi Chatterjee
Vinod Mehra
30Bure Bhi Hum Bhale Bhi HumBanarasi Babu (1973)Kishore KumarKalyanji-AnandjiAnjaanDev Anand
29Aaj Mausam Bada Beimaan Hai BadaLoafer (1973)Mohammed RafiLaxmikant-PyarelalAnand BakshiDharmendra
Mumtaz
28Gum Hai Kisi Ke Pyar MeRaampur Ka Lakshman (1972)Kishore KumarRahul Dev BurmanMajrooh SultanpuriRekha
Lata MangeshkarRandhir Kapoor
27Gori Gori Gaanv Ki Gori ReYe Gulistan Hamara (1972)Kishore KumarSachin Dev BurmanAnand BakshiDev Anand
Lata MangeshkarSharmila Tagore
26Tu Na Mili To Hum Jogi Ban JayengeViktoria No. 203 (1972)Kishore KumarKalyanji-AnandjiIndeevarNavin Nishchol
Saira Banu
25Musaafir Hoon YaaronParchay (1972)Kishore KumarRahul Dev BurmanGulzarJeetnedra
24Jheel Ke Us Paar (Title Song)Jheel Ke Us Paar (1973)Lata MangeshkarRahul Dev BurmanAnand BakshiMumtaz
Dharmendra
23Meet Na Mila Re Man KaAbhimaan (1973)Kishore KumarSachin Dev BurmanMajrooh SultanpuriAmitabh Bachchan
Asrani
Rekha
22Sansaar Ki Har Shay Ka Itna Hi Fasaana HaiDhundh (1973)Mahendra KapoorRaviSahir LudhiyanviNavin Nishchol
Lata MangeshkarZeenat Amaan
21Main Ek Chor Tu Meri RaaniRaja Rani (1973)Kishore KumarRahul Dev BurmanAnand BakshiRajesh Khanna
Lata MangeshkarSharmila Tagore
20Mere Dil Me Aaj Kya HaiDaag (1973)Kishore KumarLaxmikant-PyarelalSahir LudhiyanviRajesh Khanna
Sharmila Tagore
19Kaali Palak Teri GoriDo Chor (1972)Kishore KumarRahul Dev BurmanMajrooh SultanpuriDharmendra
Lata MangeshkarTanuja
18Gir Gaya Jhumka Girne DoJugnu (1973)Kishore KumarRahul Dev BurmanAnand BakshiDharmendra
Lata MangeshkarHema Malini
17Dheere Dheere Bol Koyi Sun Na LeGora Aur Kala (1972)Lata MangeshkarLaxmikant-PyarelalAnand BakshiRajendra Kumar
MukeshHema Malini
16Tere Mere Milan Ki Ye RainaAbhimaan (1973)Lata MangeshkarSachin Dev BurmanMajrooh SultanpuriJaya Bhaduri Bachchan
Lata MangeshkarAmitabh Bachchan
Swaroop Dutt
15Muttukodi KavadhadaDo Phool (1973)MehmoodRahul Dev BurmanMajrooh SultanpuriMehmood
Asha BhosleRama Prabha
14Mere Paas Aao To Mera Naam JaoYe Gulistan Hamara (1972)Lata MangeshkarSachin Dev BurmanAnand BakshiJohnny Walker
Danny DenzongpaJayshree T
13O Mere Dil Ke ChainMere Jeevan Saathi (1972)Kishore KumarRahul Dev BurmanMajrooh SultanpuriRajesh Khanna
Tanuja
12ABCD Chhod Naino Se Naina JodoRaja Jani (1972)Lata MangeshkarLaxmikant-PyarelalAnand BakshiHema Malini
Dharmendra
11Hawa Ke Saath SaathSeeta Aur Geeta (1972)Asha BhosleRahul Dev BurmanAnand BakshiHema Malini
Kishore KumarSanjeev Kumar
10Jab Andhera Hota Hai Aadhi Raat Ke BaadRaja Rani (1973)Asha BhosleRahul Dev BurmanAnand BakshiRajesh Khanna
Bhupinder Singh
9Dheere Se Jaana Baghiyan MeChhupa Rustam (1973)Kishore KumarSachin Dev BurmanNeerajDev Anand
Hema Malini
8Yaari Ho Gayi Yaar Se Lak Tunu TunuDo Chor (1972)Lata MangeshkarRahul Dev BurmanMajrooh SultanpuriTanuja
Dharmendra
7Ab Chaahe Maa Roothe Ya BabaDaag (1973)Lata MangeshkarLaxmikant-PyarelalSahir LudhiyanviRajesh Khanna
Kishore KumarSharmila Tagore
6Tere Naino Ke Main Deep JalungaAnuraag (1973)Mohammed RafiSachin Dev BurmanAnand BakshiVinod Mehra
Lata MangeshkarMoushmumi Chatterjee
5Samjhata Ghamon Se Kar LoSamjhauta (1973)Kishore KumarKalyanji-AnandjiIndeevarAnil Dhawan
Shatrughan Sinha
4Meri Bheegi Bheegi Si Palkon Pe Rah GayeAnamika (1973)Kishore KumarRahul Dev BurmanMajrooh SultanpuriSanjeev Kumar
Jaya Bhaduri Bachchan
3Do Bechaare Bina SahaareViktoria No. 203 (1972)Mahendra KapoorKalyanji-AnandjiVerma MalikAshok Kumar
Kishore KumarPran
2Hum Tum Ek Kamre Me Band HoBobby (1973)Lata MangeshkarLaxmikant-PyarelalAnand BakshiRishi Kapoor
Shailendra SinghDimple Kapadia
1Yaari Hai Imaan Mera Yaar Meri ZindagiZanjeer (1973)Manna DeyKalyanji-AnandjiGulshan BawraPran
Amitabh Bachchan

1973 Binaca Geetmala Highlights

  • Out of top ten songs, three songs were penned by Anand Bakshi and two songs were penned by Majrooh Sultanpuri. The rest of the five songs were written by Verma Malik, Neeraj, Sahir Ludhiyanvi, Gulshan Bawra and Indeevar by one each.
  • Out of these top ten songs, three songs each were composed by Rahul Dev Burman and Kalyanji-Anandji. And two songs each were composed by musical duo Laxmikant-Pyarelal and Sachin Dev Burman.

Also See – Binaca Geetmala 1972 Binaca Geetmala 1974

About Binaca Geetmala

Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.

Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.

At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals

The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.

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