Binaca Geetmala 1993 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1993.
Annual List of Binaca Geetmala 1993
| Rank | Song | Film | Singer | Music | Lyricist | Cast |
|---|---|---|---|---|---|---|
| 25 | Pagal Dil Mera Tum Se Ye Kah Rha | Aaja Meri Jaan (1993) | Anuradha Paudwal | Amar-Utpal | Rani Malik | Tanya Singh |
| S P Balasubramaniam | Krishan Kumar | |||||
| 24 | Dil Hoom Hoom Kare (Female) | Rudaali (1993) | Lata Mangeshkar | Bhupen Hazarika | Gulzar | Dimpla Kapadia |
| Dil Hoom Hoom Kare (Male) | Bhupen Hazarika | Raj Babbar | ||||
| 23 | Main Tera Aashiq Hoon | Gumrah (1993) | Roop Kumar Rathod | Laxmikant-Pyarelal | Anand Bakshi | Sanjay Dutt |
| Sri Devi | ||||||
| 22 | Gutar Gutar | Dalaal (1993) | Kumar Sanu | Bappi Lahiri | Maya Govind | Mithun Charaborty |
| Alka Yagnik | Ayesha Jhulka | |||||
| Ila Arun | ||||||
| Bappi Lahiri | ||||||
| 21 | Tujhe Na Dekhoon To Chain | Rang (1993) | Alka Yagnik | Nadeem-Shravan | Surender Saathi | Divya Bharti |
| Kumar Sanu | Kamal Sadanah | |||||
| 20 | Yeh Kaali Kaali Aankhen | Baazigar (1993) | Kumar Sanu | Anu Malik | Dev Kohli | Shah Ruk Khan |
| Anu Malik | Kajol | |||||
| 19 | Ishq Me Mere Rabba | Sanam (1997) | Alka Yagnik | Anand-Milind | Sameer | Manisha Koirala |
| Kumar Sanu | Vivek Mushran | |||||
| 18 | Kam Se Kam Itna Kaha Hota | Dil Tera Ashiq (1993) | Alka Yagnik | Nadeem-Shravan | Sameer | Madhuri Dixit |
| Mukul Agarwal | Salman Khan | |||||
| 17 | Payaliya Ho Ho Ho | Deewana (1992) | Kumar Sanu | Nadeem-Shravan | Sameer | Rishi Kapoor |
| Alka Yagnik | Divya Bharti | |||||
| 16 | Nayak Nahi Kalnayak Hoon Main | Kal Nayak (1993) | Kavita Krishnamurthy | Laxmikant-Pyarelal | Anand Bakshi | Ramya Krishnan |
| Vinod Rathod | Sanjay Dutt | |||||
| 15 | Goriya Re Goriya Re Mera Dil Chura Ke Le Ja | Aaina (1993) | Lata Mangeshkar | Dilip Sen-Sameer Sen | Sameer | Juhi Chawla |
| Jolly Mukherjee | Jackie Shroff | |||||
| 14 | Ghoonghat Ki Aad Se Dilbar Ka | Hum Hain Rahi Pyar Ke (1993) | Alka Yagnik | Nadeem-Shravan | Sameer | Juhi Chawla |
| Kumar Sanu | Aamir Khan | |||||
| 13 | Lena Hai Lena Dil Tera Lena Hai | Bomb Blast (1993) | Kavita Krishnamurthy | Bappi Lahiri | K K Verma | Kishori Shahane |
| Bali Brahmbhatt | Ronit Roy | |||||
| 12 | O Laal Dupatte Waali Tera Naam To Bata | Aankhen (1993) | Kumar Sanu | Bappi Lahiri | Indeevar | Govinda |
| Kavita Krishnamurthy | Ritu Shivpuri | |||||
| Alka Yagnik | Raageshwari | |||||
| Sudesh Bhosle | Chunky Pandey | |||||
| 11 | Bol Radha Bol Tune Ye Kya Kiya | Bol Radha Bol (1992) | Sadhana Sargam | Anand-Milind | Sameer | Juhi Chawla |
| Suresh Wadkar | Rishi Kapoor | |||||
| 10 | Is Jahaan Ki Nahi Hai Tumhari Aankhen | King Uncle (1993) | Lata Mangeshkar | Rajesh Roshan | Indeevar | Nagma |
| Nitin Mukesh | Shah Rukh Khan | |||||
| 9 | Teri Mohabbat Ne Dil Me Maqaam Kar Diya | Rang (1993) | Kumar Sanu | Nadeem-Shravan | Surender Saathi | Jeetendra |
| Alka Yagnik | Amrita Singh | |||||
| 8 | Tere Dar Par Sanam Chale Aaye (Male) | Phir Teri Kahani Yaad Aayee (1993) | Kumar Sanu | Anu Malik | Qateel Shifai | Rahul Roy |
| Tere Dar Par Sanam Chale Aaye (Female) | Sadhana Sargam | Pooja Bhatt | ||||
| 7 | Chehra Kya Dekhte Ho | Salaami (1994) | Asha Bhosle | Nadeem-Shravan | Smeer | Roshini Jaffery |
| Kumar Sanu | Ayub Khan | |||||
| 6 | Choom Loon Hoth Tere | Shreemaan Aashique (1993) | Alka Yagnik | Nadeem-Shravan | Sameer | Urmila Matondkar |
| Kumar Sanu | Noor Kaskar | Rishi Kapoor | ||||
| 5 | Aaj Hum Ne Dil Ka Har Kissa Tamaam Kar Diya | Sir (1993) | Alka Yagnik | Anu Malik | Qateel Shifai | Pooja Bhatt |
| Kumar Sanu | Atul Agnihotri | |||||
| 4 | Aakhon Me Neenden Na Dil Me Karaar | Sanam (1997) | Alka Yagnik | Anand-Milind | Sameer | Manisha Koirala |
| Kumar Sanu | Vivek Mushran | |||||
| 3 | Baazigar O Baazigar | Baazigar (1993) | Alka Yagnik | Anu Malik | Nawab Arzoo | Kajol |
| Kumar Sanu | Shah Rukh Khan | |||||
| 2 | Tu Tu Tu Tu Tu Taara | Bol Radha Bol (1992) | Poornima | Anand-Milind | Sameer | Juhi Chawla |
| Kumar Sanu | Rishi Kapoor | |||||
| 1 | Choli Ke Peechhe Kya Hai | Khal Nayak (1993) | Alka Yagnik | Laxmikant-Pyarelal | Anand Bakshi | Madhuri Dixit |
| Ila Irun | Neena Gupta | |||||
| Sameer | Sanjay Dutt |
1993 Binaca Geetmala Highlights
- The Annual List of Binaca Geetmla 1993 was the last in this series.
- Out of the total 25 songs on the list, 15 sung by Kumar Sanu and 13 songs sung by Alka Yagnik.
- The list contained 11 duet songs which were sung by Kumar Sanu and Alka Yagnik. Out of these 11 songs Nadeem-Shravan composed five songs whereas lyricist Sameer wrote five songs.
Also See – Binaca Geetmala 1992 Binaca Geetmala 1994
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.
