Binaca Geetmala 1992 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1992.
Annual List of Binaca Geetmala 1992
| Rank | Song | Film | Singer | Music | Lyricist | Cast |
|---|---|---|---|---|---|---|
| 24 | Bol Radha Bol Tune Ye Kya Kiya | Bol Radha Bol (1992) | Suresh Wadkar | Anand-Milin | Sameer | Rishi Kapoor |
| Sadhana Sargam | Juhi Chawla | |||||
| 23 | Tu Roop Ki Rani (Title Song) | Roop Ki Rani Choron Ka Raja (1993) | Kavita Krishnamurthy | Laxmikant-Pyarelal | Javed Akhtar | Sridevi |
| Amit Kumar | Anil Kapoor | |||||
| 22 | Saat Samunder Paar Main Tere Peechhe Peechhe Aa Gayi | Vishwatma (1992) | Sadhana Sargam | Viju Shah | Anand Bakshi | Divya Bharti |
| Sunny Deol | ||||||
| Chunky Pandey | ||||||
| 21 | Jab Na Maana Dil Deewana | Bekhudi (1992) | Asha Bhosle | Nadeem-Shravan | Anwar Sagar | Kajol |
| Kumar Sanu | Kamal Sadanah | |||||
| 20 | Kal College Band Ho Jaayega | Jaan Tere Naam (1992) | Sadhana Sargam | Nadeem-Shravan | Nawab Arzoo | Farheen |
| Kumar Sanu | Ronit Roy | |||||
| 19 | Deewani Deewani Deewana Tera Ho Gaya | First Love Letter (1991) | Lata Mangeshkar | Bappi Lahiri | Anjaan | Manisha Koirala |
| S P Balasubramaniam | Vivek Mushran | |||||
| 18 | Dhak Dhak Karne Laga | Beta (1992) | Anuradha Paudwal | Anand-Milind | Sameer | Madhuri Dixit |
| Udit Narayan | Anil Kapoor | |||||
| 17 | Tota Mere Tota Main To Teri Ho Gayi | Aaj Ka Goonda Raaj (1992) | Sadhana Sargam | Anand-Milind | Sameer | Meenakshi Seshadri |
| Abhijieet | Chiranjeevi | |||||
| 16 | Dheere Dheere Pyar Kao Badhana Hai | Phool Aur Kaante (1991) | Kumar Sanu | Nadeem-Shravan | Sameer | Ajay Devgn |
| Alka Yagnik | Madhoo | |||||
| 16 | Tu Tu Tu Tu Tu Taara | Bol Radha Bol (1992) | Kumar Sanu | Anand-Milind | Sameer | Rishi Kapoor |
| Poornima | Juhi Chawla | |||||
| 15 | Kabhi Main Kahoon Kabhi Tum Kaho | Lamhe (1991) | Lata Mangeshkar | Shiv-Hari | Anand Bakshi | Sridevi |
| A. Hariharan | Anil Kapoor | |||||
| 14 | Kaun Ho Tum Jo Dil Me Samaaye Rahte Ho | Mashooq (1992) | Kavita Krishnamurty | Shyam Surender | Gauhar Kanpuri | Ayesha Jhulka |
| Abhijeet | Ayub Khan | |||||
| 13 | Pee Pee Pee Piya Jee Jee Jee Jiya | Prem Deewane (1992) | Alka Yagnik | Laxmikant-Pyarelal | Anand Bakshi | Pooja Bhatt |
| Udit Narayan | Vivek Mushran | |||||
| 12 | Hum Tere Bin Kahin Rah Nahi Paate | Sadak (1991) | Anuradha Paudwal | Nadeem-Shravan | Sameer | Pooja Bhatt |
| Manhar Udhas | Surendra Sathi | Sanjay Dutt | ||||
| Manhar Udhas | Rani Malik | |||||
| 11 | Tum Se Milne Ko Dil Karta Hai | Phool Aur Kaante (1991) | Anuradha Paudwal | Nadeem-Shravan | Sameer | Madhoo |
| Kumar Sanu | Ajay Devgn | |||||
| 10 | Dil Jigar Nazar Kya Hai Main To Tere Liye | Dil Ka Kya Kasoor (1992) | Kumar Sanu | Nadeem-Shravan | Nawab Arzoo | Prithvi |
| Divya Bharti | ||||||
| 9 | Kabhi Bhoola Kabhi Yaad Kiya-I | Sapne Saajan Ke (1992) | Alka Yagnik | Nadeem-Shravan | Sameer | Dimple Kapadia |
| Mukul Agarwal | Jackie Shroff | |||||
| Kabhi Bhoola Kabhi Yaad Kiya-II | Alka Yagnik | Nadeem-Shravan | Sameer | Karisma Kapoor | ||
| Mukul Agarwal | Rahul Roy | |||||
| 8 | Aa Ke Teri Baahon Me Har Shaam Lage | Vansh (1992) | Lata Mangeshkar | Anand-Milind | Sameer | Ekta Sohini |
| S P Balasubramaniam | Siddharth | |||||
| 7 | Waada Raha Sanam Honge Juda Na Hum | Khiladi (1992) | Abhijeet | Jatin-Lalit | Anwar Sagar | Akshay Kumar |
| Alka Yagnik | Ayesha Jhulka | |||||
| 6 | Saathiyan Ye Tun Kya Kiya | Love (1991) | S P Balasubramaniam | Anand-Milind | Majrooh Sultanpuri | Salman Khan |
| Chitra K S | Revathi | |||||
| 5 | Teri Ummeed Tera Intzaar Karte Hain | Deewana (1992) | Kumar Sanu | Nadeem-Shravan | Sameer | Rishi Kapoor |
| Sadhana Sargam | Divya Bharti | |||||
| 4 | Tumhe Apna Banaane Ki Kasam Khaayi Hai | Sadak (1991) | Anuradha Paudwal | Nadeem-Shravan | Sameer | Pooja Bhatt |
| Kumar Sanu | Surendra Sathi | Sanjay Dutt | ||||
| Kumar Sanu | Rani Malik | |||||
| 3 | Tu Mujhe Qaubool Main Tujhe Qabuool | Khuda Gawah (1992) | Kavita Krishnamurthy | Laxmikant-Pyarelal | Anand Bakshi | Sridevi |
| Mohammed Aziz | Amitabh Bachchan | |||||
| 3 | Aasi Deewangi Dekhi Nahi Kahin | Deewana (1992) | Alka Yagnik | Nadeem-Shravan | Sameer | Divya Bharti |
| Vinod Rathod | Shah Rukh Khan | |||||
| 2 | Koyal Si Teri Boli | Beta (1992) | Udit Narayan | Anand-Milind | Sameer | Anil Kapoor |
| Anuradha Paudwal | Madhuri Dixit | |||||
| 1 | Maine Pyar Tumhi Se Kiya Hai | Phool Aur Kaante (1991) | Kumar Sanu | Nadeem-Shravan | Sameer | Ajay Devgn |
| Anuradha Paudwal | Madhoo |
1992 Binaca Geetmala Highlights
- The Annual List of Binaca Geetmala contained 12 songs sung by Kumar Sanu.
- The list contained 15 songs written by lyricist Sameer.
- There were 12 songs in the list that were composed by the music duo Nadeem-Shravan.
Also See – Binaca Geetmala 1991 Binaca Geetmala 1993
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.
