Binaca Geetmala 1985 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1985.
Annual List of Binaca Geetmala 1985
|33||Tumhi Se Roshan Hai Raat Meri||Lorie (1984)||Asha Bhosle||Khayyam||Bashar Nawaz||Shabana Azmi|
|Talat Aziz||Farooq Shaikh|
|32||Man Kyoon Behka Re Behka||Utsav (1984)||Asha Bhosle||Laxmikant-Pyarelal||Vasant Dev||Rekha|
|Lata Mangeshkar||Anuradha Patel|
|31||Hum Chup Hain Ke Dil Sun Rahe Hai||Faasle (1985)||Lata Mangeshkar||Shiv-Hari||Shehryar||Farha Naz|
|Kishore Kumar||Rohan Kapoor|
|30||Joban Anmol Baalma||Tawaif (1985)||Asha Bhosle||Ravi||Hassan Kamal||Rati Agnihotri|
|29||Deewana Dil Sangeet Ka||Hoshiyar (1985)||Bappi Lahiri||Bappi Lahiri||Indeevar||Jeetendra|
|28||Dil Me Aag Lagaaye Saawan Ka Maheena||Alag Alag (1985)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Rajesh Khanna|
|27||Ik Baat Dil Me Aayi Hai Kahoon Ya Na Kahoon||Rahi Badal Gaye (1985)||Kishore Kumar||Rahul Dev Burman||Gulshan Bawra||Rishi Kapoor|
|Lata Mangeshkar||Shabana Azmi|
|26||Dil Bekraar Tha Dil Bekraar Hai||Teri Meherbaniyan (1985)||Shabbir Kumar||Laxmikant-Pyarelal||SH Bihari||Jackie Shroff|
|Anuradha Paudwal||Poonam Dhillon|
|25||Tu Waada Na Tod||Dil Tum Ko Diya (1987)||Lata Mangeshkar||Rajesh Roshan||Rajesh Roshan||Rati Agnihotri|
|24||Aye Mer Mehboob Meri Zindagi||Salma (1985)||Shabbir Kumar||Bappi Lahiri||Hasan Kamaal||Raj Babbar|
|Salma Agha||Salma Agha|
|23||Hey Baba Rey Baba||Manzil Manzil (1984)||Asha Bhosle||Rahul Dev Burman||Majrooh Sultanpuri||Anuradha|
|22||Jaane Do Na Paas Aao Na||Saagar (1985)||S. P. Balsubramaniam||Rahul Dev Burman||Javed Akhtar||Rishi Kapoor|
|Asha Bhosle||Dimple Kapadia|
|21||Yaar Bina Chain Kahaan Re||Saaheb (1985)||Bappi Lahiri||Bappi Lahiri||Anjaan||Anil Kapoor|
|S. Janaki||Amrita Singh|
|20||Saagar Kinaare Dil Ye Pukaare||Saagar (1985)||Lata Mangeshkar||Javed Akhtar||Rahul Dev Burman||Dimple Kapadiya|
|Kishore Kumar||Rishi Kapoor|
|19||Mehmaan nazar ki ban ja, ik raat ke liye||Paataal Bhairavi (1985)||Kishore Kumar||Bappi Lahri||Indeevar||Jeetendra|
|Lata Mangeshkar||Jaya Prada|
|18||Teri Meherbaniyan Teri Kadardaniyan||Teri Meherbaniyan (1985)||Shabbir Kumar||Laxmikant-Pyarelal||SH Bihari||Jackie Shroff|
|Brownie Moti (Wonder Dog)|
|17||Ram Teri Ganga Maili Ho Gayi (Male)||Ram Teri Ganga Maili (1985)||Suresh Wadkar||Ravindra Jain||Ravindra Jain||Mandakini|
|Ram Teri Ganga Maili Ho Gayi (Female)||Lata Mangeshkar||Background Song|
|16||Dhoop Me Nikla Na Karo Roop Ki Rani||Geraftaar (1985)||Asha Bhosle||Bappi Lahiri||Indeevar||Madhavi|
|Kishore Kumar||Amitabh Bachchan|
|15||Mamaiyaa Kero Kero Kero Maama||Arjun (1985)||Shailender Singh||Rahul Dev Burman||Javed Akhtar||Sunny Deol|
|14||Zihal-E-Miskin||Ghulami (1985)||Shabbir Kumar||Laxmikant-Pyarelal||Gulzar||Mithun Charaborty|
|Lata Mangeshkar||Anita Raj|
|13||Tumhe Apna Saathi Banaane Se Pahle||Pyar Jhukta Nahin (1984)||Lata Mangeshkar||Laxmikant-Pyarelal||S H Bihari||Padmini Kolhapure|
|Shabbir Kumar||Mithun Charaborty|
|12||Kaisi Lag Rahin Hoon Main||Jhutha Sach (1984)||Kishore Kumar||Rahul Dev Burman||Majrooh Sultanpuri||Dharmendra|
|11||Tu Rootha To Main Ro Doongi Sanam||Jawani (1984)||Asha Bhosle||Rahul Dev Burman||Gulshan Bawra||Neelam Kothari|
|10||Sridevi Tu Nahi||Sarfarosh (1985)||Kishore Kumar||Laxmikant-Pyarelal||Anand Bakshi||Jeetendra|
|9||Tum Yaad Na Aaya Karo||Jeene Nahin Doonga (1984)||Shabbir Kumar||Laxmikant-Pyarelal||Anand Bakshi||Raj Babbar|
|Lata Mangeshkar||Anita Raj|
|8||O Mariya||Saagar (1985)||S. P. Balsubramaniam||Rahul Dev Burman||Javed Akhtar||Kamal Hassan|
|Asha Bhosle||Dimpla Kapadia|
|7||Jeene De Ye Duniya Chaahe Maar Daale||Lava (1985)||Asha Bhosle||Rahul Dev Burman||Anand Bakshi||Dimpla Kapadia|
|6||O Meri Jaan Ab Nahi Rahna Tere Bina||Manzil Manzil (1984)||Shailender Singh||Rahul Dev Burman||Gulshan Bawra||Sunny Deol|
|Asha Bhosle||Dimpla Kapadia|
|5||Chaahe Laakh Toofaan Aayen||Pyar Jhukta Nahin (1985)||Shabbir Kumar||Laxmikant-Pyarelal||Anand Bakshi||Mithun Charaborty|
|Lata Mangeshkar||Padmini Kolhapure|
|4||Chumma Chumma Chumma Chumma||Paataal Bhairavi (1985)||Salma Agha||Bappi Lahiri||Indeevar||Dimpla Kapadia|
|3||Ye Raat Me Jo Maza Hai||Kasam Paida Karne Wale Ki (1984)||Salma Agha||Bappi Lahiri||Indeevar||Salma Agha|
|2||Tum Se Mil Kar Na Jaane Kyon||Pyar Jhukta Nahin (1985)||Shabbir Kumar||Laxmikant-Pyarelal||Anand Bakshi||Mithun Charaborty|
|Kavita Krishnamurthy||Padmini Kolhapure|
|1||Sun Sahiba Sun||Ram Teri Ganga Maili Ho Gayi (1985)||Lata Mangeshkar||Ravindra Jain||Hasrat Jaipuri||Mandakini|
1985 Binaca Geetmala Highlights
- Out of the top ten songs, Anand Bakshi penned five songs whereas two songs were written by Indeevar. The remaining three songs were written by Javed Akhtar, Hasrat Jaipuri and Gulshan Bawra by one each.
- Out of the top ten songs, four songs were composed by Laxmikant Pyarelal. Rahul Dev Burman composed three songs whereas Bappi Lahiri composed two songs. The remaining song composed by Ravindra Jain.
Also See – Binaca Geetmala 1984 Binaca Geetmala 1986
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.