Binaca Geetmala 1982

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Binaca Geetmala 1982 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.

After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.

Here is the list of annual list of songs aired in the Binaca Geetmala-1982.

Annual List of Binaca Geetmala 1982

RankSongFilmSingerMusicLyricistCast
33Megha Re Megha Re Mat Parades Ja RePyaasa Sawan (1981)Suresh WadkarLaxmikant PyarelalSantosh AnandJeetendra
Lata MangeshkarMoushumi Chatterjee
32Tere Jaisa Yarr Kahaan Kahaan Aisa YaraanaYaarana (1981)Kishore KumarRajesh RoshanAnjaanAmitabh Bachchan
Neetu Singh
31Meri Kismat Me Tu Nahi ShayadPrem Rog (1982)Lata MangeshkarLaxmikant PyarelalAmir QazalbashRishi Kapoor
Suresh WadkarPadmini Kolhapure
30Mere Dildaar Ka Baankpan Haye BaankpanDeedar-E-Yaar (1982) Mohammed RafiLaxmikant PyarelalSahir LudhiyanviRishi Kapoor
Kishore KumarJeetendra
29Jahaan Teri Ye Nazar HaiKaalia (1981)Kishore KumarRahul Dev BurmanMajrooh SultanpuriAmitabh Bachchan
Amjad Khan
28Saat Saheliya Khadi KhadiVidhaata (1982)Shivangi KolhapureKalyanji AnandjiAnand BakshiShammi Kapoor
Sadhana SargamPadmini Kolhapure
Padmini KolhapureSanjay Dutt
27Saara Din Sataate Ho Raaton Ko Jagate HoRaaste Pyar Ke (1982)Asha BhosleLaxmikant PyarelalAnand BakshiRekha
Kishore KumarJeetendra
26Jab Sse Tum Ko Dekha Dekkha Hi Karte HaiKaalia (1981)Asha BhosleRahul Dev BurmanMajrooh SultanpuriAmitabh Bachchan
Kishore KumarParveen Babi
25Pyar Me Dil Pe Maar De GoliMahaan (1983)Asha BhosleRahul Dev BurmanAnjaanParveen Babi
Kishore KumarAmitabh Bachchan
24Ye Zameen Ga Rahi HaiTeri Kasam (1982)Amit KumarRahul Dev BurmanAnand BakshiKumar Gaurav
Poonam Dhillon
23Mere Mahhboob Tujhe SalaamBaghaawat (1982)Mohammed RafiDharmendra
Asha BhosleReena Roy
22Ek Do Kahne Bhi Do Teen Chaar Ho Gaya PyarStar (1982)Zoheb HassanBidduAmit KhannaKumar Gaurav
Rati Agnihotri
21Apne Apne Miya Pe Sab Ko Bada Naaz HaiApna Bana Lo (1982)Asha BhosleLaxmikant PyarelalAnand BakshiRekha
20Ye Din To Aata Hai Ek Din Jawanee MeMahaan (1983)Asha BhosleRahul Dev BurmanAnjaanParveen Babi
Rahul Dev BurmanAmitabh Bachchan
19Khaatun Ki Khidmat Me Salaam Apan KaDesh Premee (1982)Asha BhosleLaxmikant PyarelalAnand BakshiAmitabh Bachchan
Kishore KumarHema Malini
18Main Ek Disco Tu Ek DiscoKhuddaar (1982)Kishore KumarRajesh RoshanMajrooh SultanpuriVinod Khanna
Lata MangeshkarBindiya Goswami
17Dukki Pe Dukki Ho
Ya Satte Pe Satta
Gaur Se Dekha Jaaye To Bas Hai Patte Pa Patta
Satte Pe Satta (1982)Rahul Dev BurmanRahul Dev BurmanGulshan BawraAmitabh Bachchan
Kishore KumarHema Malini
Bhupinder SinghSachin
Asha BhosleShakti Kapoor
Sapan ChakravartyAsrani
16Dil Lena Khel Hai Diladar KaZamaane Ko Dikhana Hai (1982)Rahul Dev BurmanRahul Dev BurmanMajrooh SultanpuriRishi Kapoor
Padmini Kolhapure
15Boom BoomStar (1982)Nazia HassanBidduIndeevar Rati Agnihotri
14Chhod Mazha Haath Mala Peene DeFiffty Fiffty (1981)Asha BhosleLaxmikant PyarelalAnand BakshiTina Munim
Amit KumarRajesh Khanna
13MainTum Me Samaa Jaaoon Tum Mujh Me Samaa JaayoRaaste Pyar Ke (1982)Lata MangeshkarLaxmikant PyarelalAnand BakshiJeetendra
S P BalasubramaniamRekha
12Ye Gotedar LahengaDharam Kanta (1982)Asha BhosleNaushadMajrooh SultanpuriRajesh Khanna
Mohammed RafiReena Roy
11Pyar Ka Waada Fifty FiftyFiffty Fiffty (1981)Asha BhosleLaxmikant PyarelalAnand BakshiRajesh Khanna
Kishore KumarTina Munim
10Mohabbat Hai Kya CheezPrem Rog (1982)Lata MangeshkarLaxmikant PyarelalSantosh AnandPadmini Kolhapure
Suresh WadkarRishi Kapoor
9Jaana O Meri Jaana Main Hoon Tere Kwaabon Ka RaajaSanam Teri Kasam (1982)Rahul Dev BurmanRahul Dev BurmanGulshan BawraReena Roy
Kamal Haasan
8Dil Cheez Kya Hai Aap Meri Jaan LijiyeUmrao Jaan (1981)Asha BhosleKhayyamShahryarRekha
Farooq Sheikh
Naseeruddin Shah
7O Raaju O DaddyEk Hi Bhool (1981)S P BalasubramaniamLaxmikant PyarelalAnand BakshiJeetendra
Baby Pinki
Baby Pinki
6Bolo Bolo Kuch To Bolo Saamne Wale Le Gaye BaaziZamaane Ko Dikhana Hai (1982)Asha BhosleRahul Dev BurmanMajrooh SultanpuriRishi Kapoor
Mohammad RafiPadmini Kolhapure
5Main Hoon Prem RogiPrem Rog (1982)Suresh WadkarLaxmikant PyarelalSantosh AnandRishi Kapoor
Lata MangeshkarPadmini Kolhapure
4Kitane Bhi Tu Kar Le SitamSanam Teri Kasam (1982)Asha BhosleRahul Dev BurmanGulshan BawraKamal Haasan
Kishore KumarReena Roy
3Rambha Ho Ho Sambha HoArmaan (1981)Usha UthupBappi LahriIndeevarPrema Narayan
2Zindagi Aa Raha Hoon MainMashaal (1984)Kishore KumarHridaynath MangeshkarJaved AkhtarAnil Kapoor
1Angrezi Me Kahte Hain Ke I Love YouKhuddaar (1982)Lata MangeshkarRajesh RoshanMajrooh SultanpuriAmitabh Bachchan
Kishore KumarParveen Babi

1982 Binaca Geetmala Highlights

  • Out of top ten songs, two songs each have been penned by Majrooh Sultanpuri, Gulshan Bawra and Santosh Anand. penned three songs. The other four songs each were written by Anand Bakshi, Indeevar, Javed Akhtar and Shahryar by one each.
  • Out of these top ten songs, three songs each were composed by Laxmikant Pyarelal and Rahul Dev Burman. The reamining four songs were composed by Khayyam, Rajesh Roshan, Bappi Lahiri and Hridaynath Mangeshkar by one each.

Also See – Binaca Geetmala 1981 Binaca Geetmala 1983

About Binaca Geetmala

Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.

Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.

At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals

The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.

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