Binaca Geetmala 1978

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Binaca Geetmala 1978 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.

After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.

Here is the list of annual list of songs aired in the Binaca Geetmala-1978.

Annual List of Binaca Geetmala 1978

RankSongFilmSingerMusicLyricistCast
34O Mungda Mungda Main Gud Ki DaliInkaar (1977)Usha MangeshkarRajesh RoshanMajrooh SultanpuriHelen
Amjad Khan
33Jaate Ho Jaan-E-Jaana Aakhir Salaam Lete JaanaParvarish (1977)Shailendra SinghLaxmikant-PyarelalMajrooh SultanpuriVinod Khanna
Aarti MukherjeeAmitabh Bachchan
Asha BhosleNeetu Singh
Amit KumarShabana Azmi
32Ka Karun Sajni Aaye Na BaalamSwami (1977)YesudasRajesh RoshanAmit KhannaDheeraj Kumar
Shabana Aznmi
31Le To Aaye Ho Hame Sapno Ke Gaanv MeDulhan Wahi Jo Piya Man Bhaaye (1977)HemlataRavindra JainRavindra JainRameshwari
30Ham Bewafa Hargiz Na ThayShalimar (1978)Kishore KumarRahul Dev BurmanAnand BakshiDharmendra
29Din Ba Din Wo Mere Dil SeTrishna (1978)Lata MangeshkarKalyanji-AnandjiAnjaanRakhee
Kishore KumarSanjeev Kumar
28Somvaar Ko Hum Mile Mangalvaar Ko NainApnapan (1977)Sulakshana PanditLaxmikant-PyarelalAnand BakshiJeetendra
Kishore KumarSulakshana Pandit
27Dil Se Mile Dil Mil Gayi ManjilDil Sey Miley Dil (1978)Kishore KumarBappi LahiriAmit KhannaBhisham Kohli
Shyamalee
26Ham Premi Prem Karana JaaneParvarish (1977)Kishore KumarLaxmikant-PyarelalMajrooh SultanpuriVinod Khanna
Mohammed RafiAmitabh Bachchan
Shailendra SinghShammi Kapoor
25Ye Khidki Jo Band Rahti HaiMain Tulsi Tere Aangan Ki (1978)Mohammed RafiLaxmikant-PyarelalAnand BakshiVinod Khanna
Neeta Mehta
24Chanchal Sheetal Nirmal Komal Sangit Ki DeviSatyam Shivam Sundaram (1978)MukeshLaxmikant-PyarelalAnand BakshiZeenat Aman
Vinod Khanna
23Main Tulsi Tere Aangan KiMain Tulsi Tere Aangan Ki (1978)Lata MangeshkarLaxmikant-PyarelalAnand BakshiAsha Parekh
Vijay Anand
Nutan
22Jaisa Des Vaisa Bhes Phir Kya DarnaDes Pardes (1978)Kishore KumarRajesh RoshanAmit KhannaDev Anand
Lata MangeshkarTina Munim
21Pyar Maanga Hai Tumhi Se Na Inkar KaroCollege Girl (1978)Kishore KumarBappi LahiriIndeevar Sachin
Bindiya Goswami
20Main Hoon DonDon (1978)Kishore KumarKalyanji-AnandjiAnjaanAmitabh Bachchan
Shetty
19Jab Aati Hogi Yaad MeriPhaansi (1978)Mohammed RafiLaxmikant-PyarelalGulshan BawraShashi Kapoor
Sulakshana PanditSulakshana Pandit
18Chaand Mera Dil Chandani Ho Tum Chaand Se Hai Door Chaandni KahaanHum Kisi Se Kum Naheen (1977)Mohammed RafiRahul Dev BurmanMajrooh SultanpuriRishi Kapoor
Rahul Dev BurmanKajal Kiran
Asha BhosleTariq Khan
Kishore Kumar
17Kya Mausam Hai Chal Kahin Door Nikal JaayenDoosra Aadmi (1977)Kishore KumarRajesh RoshanMajrooh SultanpuriRishi Kapoor
Lata MangeshkarRakhi
Mohammad RafiShashi Kapoor
16Aaj Mere Yaar Ki Shadi HaiAadmi Sadak Ka (1977)Mohammed RafiRaviVerma MalikShatrughan Sinha
RaviSujit Kumar
Deven VermaDeven Verma
15Gabuchi Gabuchi Gam GamTrishul (1978)Lata MangeshkarLaxmikant-PyarelalAnand BakshiSachin
Nitin MukeshPoonam Dhillon
14Maana Ho Tum Behad HaeenToote Khilone (1978)YesudasBappi LahiriKaifi AzmiShekhar Kapoor
Shabana Azmi
13Aap Kahe Aur Hum Na AayeDes Pardes (1978)Lata MangeshkarRajesh RoshanAmit KhannaRajesh Khanna
Tina Munim
12Dhanno Ki Aankhon Me Hai Raat Ka SuramaaKitaab (1977)Rahul Dev BurmanRahul Dev BurmanGulzarRam Mohan
11Tere Bina Jiya Jaye NaGhar (1978)Lata MangeshkarRahul Dev BurmanGulzarVinod Mehra
Rekha
10Maano To Main Ganga Maa HoonGanga Ki Saugand (1978)Lata MangeshkarKalyanji-AnandjiAnjaanBackground Score
9Tu Pee Aur JeeDes Pardes (1978)Kishore KumarRajesh RoshanAmit KhannaDev Anand
Tina Munim
8Mohabbat Bade Kaam Ki Cheej HaiTrishul (1978)Lata MangeshkarKhayyamSahir LudhianviHema Malini
Kishore KumarAmitabh Bachchan
YesudasShashi Kapoor
Raakhee
7Yashomati Maiyya Se Bole Nand LaalaSatyam Shivam Sundaram (1978)Lata MangeshkarLaxmikant-PyarelalNarendra SharmaPadmini Kolhapure
Manna Dey
6Do Deewane Shahar MeGharaonda (1977)Bhupinder SinghJaidevGulzarAmol Palekar
Runa LailaZarina Wahab
5Kasme Vaade Nibhaayenge HumKasme Vaade (1978)Lata MangeshkarRahul Dev BurmanGulshan BawraAmitabh Bachchan
Kishore KumarRaakhee
4Khai Ke Paan Banaras WaalaDon (1978)Kishore KumarKalyanji-AnandjiAnjaanAmitabh Bachchan
Zeenat Aman
3Kya Hua Tera WaadaHum Kisi Se Kum Naheen (1977)Mohammed RafiRahul Dev BurmanMajrooh SultanpuriRishi Kapoor
Sushma ShresthaKajal Kiran
Tariq Khan
2Aadmi Musafir Hai Aata Hai Jaata HaiApnapan (1977)Mohammed RafiLaxmikant-PyarelalAnand BakshiJeetendra
Lata MangeshkarSulakshana Pandit
1Akhiyon Ke Jharokhon SeAnkhiyon Ke Jharokhon Se (1978)HemlataRavindra JainRavindra JainSachin
Ranjeeta

1978 Binaca Geetmala Highlights

  • Out of top ten songs, Anjaan penned two songs. The other eight two songs each were written by Ravindra Jain, Anand Bakshi, Majrooh Sultanpuri, Gulshan Bawra, Gulzar, Narendra Sharma, Sahir Ludhiyanvi and Amit Khanna by one each.
  • Out of these top ten songs, two songs each were composed by, Laxmikant Pyarelal and Kalyanji-Anandji. The reamining four songs were composed by Jaidev, Khayyam and Rajesh Roshan and Ravindra Jain by one each.

Also See – Binaca Geetmala 1977 Binaca Geetmala 1979

About Binaca Geetmala

Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.

Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.

At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals

The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.

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