Binaca Geetmala 1978 was a part of Radio Show that started ranking Bollywood songs every week as well as annually. The show Geetmala was sponsored by Binaca (Tooth Paste) and thus it is called Binaca Geetmala. The first Binca Geetmala Show was aired, in the year 1952, on Radio Ceylon, the oldest radio station in the Asia, and it lasted in the year 1988.
After 1988, the show was shifted to Vividh Bharati of All India Radio and proceeded until 1994. The show also broadcast the annual list of Binaca Geetmala from 1953 to 1993.
Here is the list of annual list of songs aired in the Binaca Geetmala-1978.
Annual List of Binaca Geetmala 1978
|34||O Mungda Mungda Main Gud Ki Dali||Inkaar (1977)||Usha Mangeshkar||Rajesh Roshan||Majrooh Sultanpuri||Helen|
|33||Jaate Ho Jaan-E-Jaana Aakhir Salaam Lete Jaana||Parvarish (1977)||Shailendra Singh||Laxmikant-Pyarelal||Majrooh Sultanpuri||Vinod Khanna|
|Aarti Mukherjee||Amitabh Bachchan|
|Asha Bhosle||Neetu Singh|
|Amit Kumar||Shabana Azmi|
|32||Ka Karun Sajni Aaye Na Baalam||Swami (1977)||Yesudas||Rajesh Roshan||Amit Khanna||Dheeraj Kumar|
|31||Le To Aaye Ho Hame Sapno Ke Gaanv Me||Dulhan Wahi Jo Piya Man Bhaaye (1977)||Hemlata||Ravindra Jain||Ravindra Jain||Rameshwari|
|30||Ham Bewafa Hargiz Na Thay||Shalimar (1978)||Kishore Kumar||Rahul Dev Burman||Anand Bakshi||Dharmendra|
|29||Din Ba Din Wo Mere Dil Se||Trishna (1978)||Lata Mangeshkar||Kalyanji-Anandji||Anjaan||Rakhee|
|Kishore Kumar||Sanjeev Kumar|
|28||Somvaar Ko Hum Mile Mangalvaar Ko Nain||Apnapan (1977)||Sulakshana Pandit||Laxmikant-Pyarelal||Anand Bakshi||Jeetendra|
|Kishore Kumar||Sulakshana Pandit|
|27||Dil Se Mile Dil Mil Gayi Manjil||Dil Sey Miley Dil (1978)||Kishore Kumar||Bappi Lahiri||Amit Khanna||Bhisham Kohli|
|26||Ham Premi Prem Karana Jaane||Parvarish (1977)||Kishore Kumar||Laxmikant-Pyarelal||Majrooh Sultanpuri||Vinod Khanna|
|Mohammed Rafi||Amitabh Bachchan|
|Shailendra Singh||Shammi Kapoor|
|25||Ye Khidki Jo Band Rahti Hai||Main Tulsi Tere Aangan Ki (1978)||Mohammed Rafi||Laxmikant-Pyarelal||Anand Bakshi||Vinod Khanna|
|24||Chanchal Sheetal Nirmal Komal Sangit Ki Devi||Satyam Shivam Sundaram (1978)||Mukesh||Laxmikant-Pyarelal||Anand Bakshi||Zeenat Aman|
|23||Main Tulsi Tere Aangan Ki||Main Tulsi Tere Aangan Ki (1978)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Asha Parekh|
|22||Jaisa Des Vaisa Bhes Phir Kya Darna||Des Pardes (1978)||Kishore Kumar||Rajesh Roshan||Amit Khanna||Dev Anand|
|Lata Mangeshkar||Tina Munim|
|21||Pyar Maanga Hai Tumhi Se Na Inkar Karo||College Girl (1978)||Kishore Kumar||Bappi Lahiri||Indeevar||Sachin|
|20||Main Hoon Don||Don (1978)||Kishore Kumar||Kalyanji-Anandji||Anjaan||Amitabh Bachchan|
|19||Jab Aati Hogi Yaad Meri||Phaansi (1978)||Mohammed Rafi||Laxmikant-Pyarelal||Gulshan Bawra||Shashi Kapoor|
|Sulakshana Pandit||Sulakshana Pandit|
|18||Chaand Mera Dil Chandani Ho Tum Chaand Se Hai Door Chaandni Kahaan||Hum Kisi Se Kum Naheen (1977)||Mohammed Rafi||Rahul Dev Burman||Majrooh Sultanpuri||Rishi Kapoor|
|Rahul Dev Burman||Kajal Kiran|
|Asha Bhosle||Tariq Khan|
|17||Kya Mausam Hai Chal Kahin Door Nikal Jaayen||Doosra Aadmi (1977)||Kishore Kumar||Rajesh Roshan||Majrooh Sultanpuri||Rishi Kapoor|
|Mohammad Rafi||Shashi Kapoor|
|16||Aaj Mere Yaar Ki Shadi Hai||Aadmi Sadak Ka (1977)||Mohammed Rafi||Ravi||Verma Malik||Shatrughan Sinha|
|Deven Verma||Deven Verma|
|15||Gabuchi Gabuchi Gam Gam||Trishul (1978)||Lata Mangeshkar||Laxmikant-Pyarelal||Anand Bakshi||Sachin|
|Nitin Mukesh||Poonam Dhillon|
|14||Maana Ho Tum Behad Haeen||Toote Khilone (1978)||Yesudas||Bappi Lahiri||Kaifi Azmi||Shekhar Kapoor|
|13||Aap Kahe Aur Hum Na Aaye||Des Pardes (1978)||Lata Mangeshkar||Rajesh Roshan||Amit Khanna||Rajesh Khanna|
|12||Dhanno Ki Aankhon Me Hai Raat Ka Suramaa||Kitaab (1977)||Rahul Dev Burman||Rahul Dev Burman||Gulzar||Ram Mohan|
|11||Tere Bina Jiya Jaye Na||Ghar (1978)||Lata Mangeshkar||Rahul Dev Burman||Gulzar||Vinod Mehra|
|10||Maano To Main Ganga Maa Hoon||Ganga Ki Saugand (1978)||Lata Mangeshkar||Kalyanji-Anandji||Anjaan||Background Score|
|9||Tu Pee Aur Jee||Des Pardes (1978)||Kishore Kumar||Rajesh Roshan||Amit Khanna||Dev Anand|
|8||Mohabbat Bade Kaam Ki Cheej Hai||Trishul (1978)||Lata Mangeshkar||Khayyam||Sahir Ludhianvi||Hema Malini|
|Kishore Kumar||Amitabh Bachchan|
|7||Yashomati Maiyya Se Bole Nand Laala||Satyam Shivam Sundaram (1978)||Lata Mangeshkar||Laxmikant-Pyarelal||Narendra Sharma||Padmini Kolhapure|
|6||Do Deewane Shahar Me||Gharaonda (1977)||Bhupinder Singh||Jaidev||Gulzar||Amol Palekar|
|Runa Laila||Zarina Wahab|
|5||Kasme Vaade Nibhaayenge Hum||Kasme Vaade (1978)||Lata Mangeshkar||Rahul Dev Burman||Gulshan Bawra||Amitabh Bachchan|
|4||Khai Ke Paan Banaras Waala||Don (1978)||Kishore Kumar||Kalyanji-Anandji||Anjaan||Amitabh Bachchan|
|3||Kya Hua Tera Waada||Hum Kisi Se Kum Naheen (1977)||Mohammed Rafi||Rahul Dev Burman||Majrooh Sultanpuri||Rishi Kapoor|
|Sushma Shrestha||Kajal Kiran|
|2||Aadmi Musafir Hai Aata Hai Jaata Hai||Apnapan (1977)||Mohammed Rafi||Laxmikant-Pyarelal||Anand Bakshi||Jeetendra|
|Lata Mangeshkar||Sulakshana Pandit|
|1||Akhiyon Ke Jharokhon Se||Ankhiyon Ke Jharokhon Se (1978)||Hemlata||Ravindra Jain||Ravindra Jain||Sachin|
1978 Binaca Geetmala Highlights
- Out of top ten songs, Anjaan penned two songs. The other eight two songs each were written by Ravindra Jain, Anand Bakshi, Majrooh Sultanpuri, Gulshan Bawra, Gulzar, Narendra Sharma, Sahir Ludhiyanvi and Amit Khanna by one each.
- Out of these top ten songs, two songs each were composed by, Laxmikant Pyarelal and Kalyanji-Anandji. The reamining four songs were composed by Jaidev, Khayyam and Rajesh Roshan and Ravindra Jain by one each.
Also See – Binaca Geetmala 1977 Binaca Geetmala 1979
About Binaca Geetmala
Binca Geetmala was the very first show of its kind that ranked Bollywood Songs and thus gained unbelievable popularity in India.
Ameen Sayani presented the show from its first aired to the last one and created an unbelievable record.
At its beginning in 1952, the program didn’t rank melodies, but instead played seven contemporary tunes in no specific request. Afterward, the program began positioning the most famous Hindi film tunes. The melodies were at first positioned by a mix of the quantity of records sold in India and audience votes. Fame was checked by record deals, decisions from record storekeepers, and prevalence among the shrota-sanghs or ‘audience members clubs’. Every week, the shrota-sanghs would send the radio broadcast their rundown of mainstream tunes. The clubs were shaped in light of the fact that it was workable for a record to be sold out at stores and in spite of the fact that there was interest to purchase more, the interest would not appear in record deals
The year-end records were accumulated dependent on focuses procured by melodies as the year progressed. Somewhere in the range of 1966 and 1970 there would once in a while be no focuses on the week after week broadcast, yet the year-end show would be founded on point framework.